To Dine in Rome

The all-you-can-eat breadsticks and salad of Olive Garden are the average middle-class American’s prototype of a great Italian dining experience. On weekend evenings and Sundays after church, the line weaves out the door and down the block. Most people in line tap their feet and check their watches with frustration. Once your pager buzzes and the hostess whisks you away to your table, you’re immediately greeted by Joe. If he’s a good waiter by the restaurant’s standards, he serves you in a timely manner with a big smile. You peruse the gigantic menu filled with rich dishes like fettucini alfredo, chicken parmigiana, and sausage-stuffed giant rigatoni.  While you wait, you scroll through your Facebook feed on your phone and let everyone know that you’re at Olive Garden.  

Twenty minutes and two drink refills later, Joe brings out your ridiculously- large portion of pasta, and you scarf it down in record time. As soon as you’re too full to function, Joe brings you the check and you reward with him a generous tip. “It was my pleasure to serve you,” he calls robotically on your way out, as he pockets the extra cash and the next family takes a seat. Your total mealtime is thirty-two minutes.  

Jump to Rome, Italy. The city’s traditional recipes, descendants from a Roman cookbook known as Apicius, are as ancient as their ruins. These recipes are followed in modern trattorias on every block and incorporate locally grown, harvested, or produced foods such as olives, figs, chickpeas, seafood, and cheeses. Though pizza was born in Naples, its predecessor, focaccia bread with toppings, was a Roman staple. My pre-trip misconceptions, based on my Olive Garden visits, are quickly dispelled on my first free evening in Rome. 

My friends and I stumble upon a quaint ristorante in an alleyway near the Spanish Steps. Thinking we would avoid the crowds by dining after eight in the evening, we’re surprised to find the small patio filled with Italian couples slowly sipping vino rosso and munching on light appetizers without any hint of urgency. We wait by the entrance for a few minutes, as waiters move carefully through the tiny gaps between closely-set tables. At last, one waiter notices our presence and gestures nonchalantly at a table that hasn’t been cleared yet.  

Sitting down and rapidly opening our small menus, we fail to recognize half of the dishes listed. Among the pastas are spaghetti alle vongole veraci, noodles dotted with clams, and cacio e pepe, a macaroni tossed with grated cheese and ground black pepper. They’re simple dishes not overtaken by excessive seasoning, sauces, or additives like the Americanized-Italian we’re accustomed to. The one basket of plain white bread resting before us is a far cry from the unlimited garlic bread of Olive Garden. Bread in Italy is not meant to fill up the customer, but rather as a pre-meal snack or as an instrument to soak up leftover sauce from your main course. Bread enhances, but doesn’t detract from, the chef’s preparations. I begin to think that this chef would be offended to see his recipes slaughtered with creamy sauce and mounds of salt. I begin to think that Olive Garden should remove the word Italian from its dictionary.  

When our meals arrive sometime later, we realize that we have lost track of time in our internet-free conversations and that early evening has turned surreptitiously into nighttime. We delight our taste buds with various seafood, pizza, and noodles. I savor each freshly-prepared bite of my pasta with pesto sauce, making sure that I take the time to appreciate the flavor. Our waiter is in no hurry to herd us out of the restaurant, though my watch reads half past ten and we haven’t yet thought about dessert. With our plates clean and our selves satisfied, we don’t even mind that our waiter takes an extra twenty minutes to bring us our check or that we have to rummage around in our purses for cash because we can’t pay individually. My previous notions that eating here would be anything similar to an Olive Garden experience seem silly. There is an art to eating in Rome that is lost on its American mimickers.  

           Structural differences explain part of the wide separation between American  and Roman dining experiences. Joe, the ideal Olive Garden waiter, is financially dependent upon the tips that his patrons leave for him because his employer only pays him about two dollars an hour. As a result, the American dining experience is focused on quick service. The faster the customers dine and leave, the more tables Joe can turn during his shift, and the more tips he can earn. Italian waiters don’t work for tips like their American counterparts—they are paid fully by their employers and thus less inclined to strive to please the customer. Speedy service is a low priority for the waiter, giving the customers more time to enjoy their meals and to interact with one another. 

Intertwining with this concept of slow service is the Italian concept of dining as a social affair. Americans worry about resolving their hunger and moving on, evident through the popularity of fast food chains and microwave dinners. It’s the result of a culture with a lack of dining traditions and the need to make everything time efficient. In Rome, they view eating as a time for conversation and for enjoying the camaraderie of friends and family, which is a product of their strong familial bonds and of their focus on community. They aren’t in a hurry because their priorities are different; they are focused on the nature of their overall dining experience.  

            Romans are more concerned about the quality of the food they put in their mouths over quantity. They rank more time-consuming, freshly prepared food higher in importance than food prepared with time-saving shortcuts. Though large portion sizes are becoming more common because of the influence of the United States, traditionally, a Roman meal consists of small portions of three or four dishes. Multiple courses provide them a variety of tastes. The average serving of pasta is only about 100 grams, contrasted against American portion sizes that triple or quadruple that amount. An excess of pasta leaves no room for additional taste bud thrills. 

A combination of historical, social, and cultural factors has shaped the art of dining in Rome, a tradition that has been passed down with each generation. It is, simultaneously, all about the food and nothing about the eating. To dine as a Roman is to savor the experience as much as the flavors. It is a far cry from stuffing your face with a pile of processed noodles at Olive Garden. This art is something I discovered in a quaint ristorante in an alleyway near the Spanish Steps, and it belongs to this bustling capital city of the boot-shaped peninsula called Italy.  

Pompeii: Reflection in the Rubble

        Two point six million people a year shuffle through the high arch of the Porta Marina and into the remainders of the ancient Roman city of Pompeii. Some of these visitors meander into the town forum, guidebooks in hand, and mentally rebuild towering marble columns from the crumbled ruins. Or perhaps they journey to this sacred spot to imagine the cobblestone streets alive with tradesmen, children, and slaves. Perhaps, like me, two point six million people a year come to Pompeii and reflect upon death. I came face to face with my own mortality in the wreckage.

When I first arrive at the Pompeii-Scavi train station, the only reminder of death is the murderer herself looming in the distance. Mt. Vesuvius erupted last in 1944, killing twenty-six people. Scientists say she is due for another eruption soon. Of one thing they are certain—she, who sits on a 154 square mile layer of magma, will spew lava from her top again and the consequences will be cataclysmic. It’s unnerving how her grey figure stands in the distance above her destruction, watching, waiting. She was made to create chaos and her work is incomplete. Under her watchful eye, tourists explore what she destroyed on that tragic day in seventy-nine A.D. The explosion that brought darkness also brought light by burying the town alive and consequently, preserving it. I am here today because of her. Her hand could bury me tomorrow.

The bits and pieces of conversation that I hear along the walk to the entrance to the site are lighthearted. Signs advertising cheap pizza and free Internet access line the walls. Persistent men push their arrays of multicolored selfie sticks into the face of every tourist who comes within ten feet. People here actually buy these egocentric devices that maximize the amount of people you can fit into one picture you take of yourself; I see a group of teens bartering in Italian for one. It’s not the concept of the “selfie stick” that is so disturbing as the context in which they are being sold. Pompeii is a place where thousands of Romans were smothered under pumice and ash; it is a place of remembrance and mourning. Imagine the disrespect of someone selling selfie sticks at a graveyard. Everyone smile, you’ll make the spirits proud. Why does no one give this practice a second thought here?  We are at the ultimate historical graveyard, eternal home to both young and old, healthy and sick.  Are the Pompeian’s dead to a lesser degree because they died two thousand years ago?  At what point does death demand less respect?

The clicks of camera shutters surround me as I enter the forum. Picking up my own Nikon, I snap a few pictures of the rust-colored rubble contrasted against the bleak sky as I try to push the thought of death from my mind. My group follows our guide to a corner, where the plaster casts of victims are on display. Excavators filled plaster into the hollow spaces left within the hardened volcanic debris after the decay of the bodies, creating lifelike statues from the molds. They are graphic reminders of the last moments of life here. One man crouches with his hands pulled up to his face as if in prayer. Another lies down with his face buried in his arms, too afraid to look death in the face. A jaw with perfectly preserved teeth opens fully in mid-scream. I can barely look at the image of the pregnant woman without feeling a deep sense of sorrow because she never looked upon her growing child’s face. Click. Someone next to me takes a photo of the casts. Click. Click. Click. The clicks grow more prevalent the more I pay attention to them. As the shutters close, my mind opens. Where I see death, some see plaster. When I look at these casts, I imagine myself in their position and suddenly I am screaming, praying, and fearing for my life. Click.

Disturbing thoughts of the dying woman follow me around for hours until I’m unable to separate myself from her. I think of my aspirations and everything that I want to accomplish before departing the earth. I want to love people the way I imagine the pregnant woman loved her baby—fiercely, bravely, unconditionally. Whose faces will I picture in my last few moments? What legacy will I leave behind?

It’s strange and uncomfortable to think about one’s own mortality, but it’s also an important part of the human experience. The technological distractions of this day hinder this kind of reflective thinking. Suddenly, the successfulness of selfie sticks makes sense. It’s not that we intentionally disrespect the dead; we just prefer to ignore them. It’s less painful to smile for a selfie than to face the thoughts of our own death. It’s easier to place these people into a category marked Ancient and snap a picture. When we are unwilling, unable, or too distracted to dive deep into mortality, we lose our appreciation for both the past and present.

“The beauty of things must be that they end,” Kerouac wrote. The beauty of life stems from our humble mortality. We must always seize the day or again in the words of Kerouac, “Climb that goddamn mountain.” The mountain represents our passions—the things that make us feel alive and whole. One-day molten lava may bust down our front door and we’ll never look up from our Iphones. One thing is for sure--the Pompeians never wasted time looking at a screen. The pleasant Italian climate meant they spent a great deal of their lives outdoors. Romans from elsewhere traveled far to vacation in the picturesque setting. The ruins of their houses, brothels, bathhouses, frescoes, and even the grid of their streets reflect a tight knit community of people. Running water and the ingenious design of their bathhouses suggest they were smart, clean, and sophisticated. They valued art, music, family, theatre, sex, love, and the Gods. Pompeians climbed that goddamn mountain. 

Even in death, these ancient peoples embody life. Blood stopped flowing through their veins thousands of years ago, but their legacy marches on for two point six million tourists a year to uncover.  Put down your cameras. Refuse the selfie sticks. Pay attention to the voices of the people who perished here. Learn from them. Life and death intertwine and coexist, and there are few places that shout this louder than Pompeii if only you pause and listen.

Becoming a Global Citizen: The Netherlands

I did a project on Netherlands in my seventh grade Geography class (shout out to Mrs. Noble.) I remember how magical and far away Holland seemed, like a place out of a fairytale. I knew I wanted to go one day. I just didn't know that one day would be so soon. If I haven't said it before, I want to say that I'm unbelievably grateful to be seeing the world at my age. I've learned what it means to be a global citizen and the importance of understanding and respecting other people and where they come from. 

Last week, a few of my friends and I boarded a RyanAir flight for Eindhoven. If you aren't familiar with RyanAir, it's the best and worst thing ever when traveling country to country in Europe. The flights are impossibly cheap (78 euro roundtrip to Holland from Spain) and they're almost always on time. The downsides are the uncomfortable seats, rough landings, poor customer service, and the ways in which they find to charge you obscene amounts of money. For instance, if your bag is bigger than the tiny carry-on requirement, you're charged to check it. When you buy your tickets online, you have to scroll through pages of advertisements and unnecessary extras. Don't forget to check all the boxes with "no" or else you'll end up with a bill of hundreds of euros. And finally, if for some sad reason your host sister spills water on your tickets that you printed out and RyanAir has to print them for you at the airport, you'll pay a fine of 170 euros. This actually happened to my friend Allyson on this trip. Two. pieces. of. paper. Also, RyanAir flies you outside of main cities. We flew to Eindhoven, which is an almost two hour train ride from Amsterdam. Seems like they forgot to advertise this along with their car rentals and city tours. I've learned to expect the worst, and in turn, have mastered the art of RyanAir. 

We took a taxi to the airport in Seville. Caught a plane from Seville to Eindhoven. Took a bus from the Eindhoven airport to the train station. Took a train from Eindhoven to Amsterdam. Took a tram from the Amsterdam train station to a plaza near our hostel. And then walked. These trips are always stressful and it seems like we're always running late, running for a train, etc. As glamorous as travel can be, it can be just as unglamorous. Things get stolen (someone's camera), lost (my hat), and people wander off (my friends.) You run into people, you get elbowed in the face on a crowded tram, and in Amsterdam, you almost certainly get in the way of thousands of bikers. So, even though we may look like we have it all together in our pictures, we actually don't. We're just trying to figure out how to get from point A to point B without getting run over. And I guess we succeeded. 

The first day, we checked into our hostel and explored the magical city. It's full of charm, history, canals, and amazing pastries. Literally every bridge has an incredible view of the river. It's such a contrast from the slow, colorful pace of Seville. I still can't believe the variety of landscapes and cultures in Europe. That night, we headed to see Ellie Goulding in concert at the Heineken Music Hall. We didn't really know where we were going or how to get there, but we figured it out in the end. Her concert was amazing and full of 6,000 screaming Dutch fans. In European countries, (mostly)American and British music is really popular. I've found that concerts are a really good way to remind you of home, and also really cool to tell people that you saw so-and-so in a big city in Europe. Thank you, Ellie. 

It was my goal to visit the Anne Frank house. If I was going to see one thing, that would be it. We waited in line for over an hour in the wind and freezing cold the next day, but we finally made it inside the museum. I had read her diary and was pretty knowledgeable of the Holocaust, but none of that prepared me for the museum. To actually see where her family lived for two years, to see the room that confined her, gave me a tiny taste of what it felt like to be stripped of freedom. She couldn't even look outside without fear of being discovered. I can't really grasp the torture of it, but by being there, I was trying to understand. I'm not Jewish, but I am human, and I felt connected to her in a way that maybe I can't put into words. Maybe as a writer, maybe as a teenage girl who's figuring herself out, or maybe in the way that she longed to make a difference in the world. I will never take my freedom for granted.

That night, we ventured into the Red Light District and quickly ventured back out. It wasn't really a recommendable view, just mostly sketchy. On our last day full day, I saw the Rijksmuseum and the Van Gogh museum. As an art fan, I really enjoyed both. Van Gogh's works were really cool because they were in chronological order. As he succumbed to his mental illness, his work became heavier and darker. I won't say anything more, because art museums are not super interesting to blog about, so go if you ever get the opportunity. 

We finally made it back to Seville exhausted. Now when I say I'm going home, I'm referring to Seville, at least for the next few months. I look forward to returning to my tiny bed and chatting late at night with my adorable host mom. How lucky I am to have two places that I belong to. I have many more trips planned in the future, but tomorrow, CARLA IS COMING. Carla is my best friend in the world from Venezuela, and I get to show her part of my world these next few days.


Un abrazo,
Elizabeth 

The Not-So-Glamorous-Side of Student Travel

The holidays are officially over and after spending some great time with my family back in the States, I'm ready to take on Seville for four more months. I'm not going to lie. It was much less exciting returning here than the first time. The city is no longer a secret. I'm already back in the routine of school. I know which winding, narrow back roads to take to get me where I'm going. I'm used to walking by the Guadalquivir river every day. I'm able to communicate in the language without awkward pauses and hand gestures. Seville is familiar. I crave the unfamiliar. But I have the feeling that there's a lot more to discover here. This semester is about finding it.

After the long flight from DFW and a few siestas, I left my apartment to meet the new students that are here for the second semester. As I was walking to meet them, I couldn't help but grin at my surroundings. There's something exciting in the air. Or maybe it's just the smell of the orange trees. I just have a good feeling about these next few months.

But in contrast, I think that sometimes people have the idea that everything in my world, in Spain, is perfect. And while I'm having an incredible time so far, I'll reflect on December's trip to Madrid to clear things up. Because I'm 18, independent, and making mistakes. 

Why take the high-speed train for 100 euros when you can take a six-and-a-half hour bus ride for 40 round trip? This the conclusion that my friends, Sophie and Faith, and I came up with when discussing how we would travel to Madrid, which is located in central Spain. Why pay more than 12 euros a night for a hostel? It seems that sometimes, in our quest to save money, we teenagers forget the little phrase, "you get what you pay for." 

And so we boarded the bus and arrived in Madrid pretty late at night. After a long ride on the Metro, we emerged into the glittering center of Madrid, which was still bustling with people. With instructions to look for our hostel between two shops, we found a sketchy door with graffiti plastered all over it. A closer inspection revealed a small sign with the name of our hostel, directing us to the third floor. We dragged our bags up the stairs and walked into the 1 star lobby filled with drinking, tattooed men and were promptly checked in by one of them, who seemed to care more about inviting us to the pub crawl than anything else. We were welcomed to our room that we would share with 8 other people, pointed to the bathroom that lay on the other side of the building, and allowed time to get to know our stained sheets. I'm not exactly sure when we realized that this was not the best idea, probably when the stench of the man's feet in the neighboring bed wafted near me. Call the Ritz. We're getting out of here. After a few calls to our parents for extra money and an extensive TripAdvisor search for a decent place to stay, we literally ran out of the place and into the overpriced comfort of a basic hotel room. I was just grateful for the lack of insects and a warm shower.

The next day we had to move hotels because ours was booked for the rest of the weekend, along with the rest of the hotels in all of Madrid. We chose to travel on a holiday weekend, which meant that we could find no place to stay! Finally, after sitting in the lobby for two hours, we found a decent hostel for a reasonable price. I'd say that we lucked out, because our choices were narrowed down to the street or the same hostel that we ran away from. FINALLY we were able to enjoy Madrid. 

The best part of our trip began and ended with the Imagine Dragons concert. At my graduation in May, they played one of their songs as we entered. Here I was in Europe a few months later, screaming with my fellow Spaniards as we danced to the very same song, feet away from the band. It was a strange feeling, like I was being reminded of everything I've accomplished since then. 

Everything quickly went downhill the rest of the weekend as the extreme crowds made it difficult to enjoy much of anything. Walking through the city center was a struggle because it was literally wall to wall people. We saw a few of the touristy sights, but mainly were just exhausted by the effort it took to get to them. Things really, really, really, went downhill on the last day as we were headed home. We had to take the Metro to the bus station and of course, had all of our luggage with us. I guess in the chaos of it all I wasn't paying enough attention to my surroundings. As we entered the train, I became separated from my friends. Seemingly by chance, but in reality it was all part of a scheme to steal my wallet. And steal my wallet they did. As the Metro began to move, I realized that I had nothing to hold on to to keep my balance. The woman standing next to me gestured at the rail in front of her. I unassumingly grabbed it, putting myself in an awkward, vulnerable position for her to have access to my purse. A few seconds later, I felt a tug on my purse. I looked down to find it out of my line of sight, covered by the jacket in the woman's hands. I quickly pulled it back and it was zipped. I opened it up to make sure that my wallet was still in there.... and it definitely was long gone. I knew the woman beside me had stolen it, so out of anger and adrenaline I yanked her jacket from her hands to look for my wallet. She pretended as if I she didn't know what was going on and had already handed my credit cards, money, and ID off to her accomplice. When the Metro came to a stop, she ran out before any of us could even really process what had just happened. It was the worst moment of my time here in Spain. We then missed our bus talking to the police, because my ticket was in my wallet (that was probably somewhere in a trashcan in a sketchy part of Madrid.) I had plenty of time to think on the long night ride back, so I came up with a few things that I would do from now on.

1. Actually use the money belt that my mom insisted I wear when traveling (sorry.)
2. Look up detailed reviews of hostels before I book them.
3. Take an earlier form of transportation so that I don't arrive to my destination at midnight.
4. Not ever take the cheap bus ride from Seville to Madrid again, because the companies aren't very sympathetic when you have to buy three new tickets after a crisis.
5. Maybe pay a little more for things next time. 
6. Don't overpack and have to carry two bags and a purse on the Metro, which clearly makes me a target.
7. Not let this experience keep me from enjoying traveling, but just be more aware next time.

And though some things about this country evoke horrible memories, today is January 26th. Today I walked along the river in shorts and a tank top. Today I layed out in the sun and 70 degree weather. Today I got a sunburn. Today I was grateful to be here. 

At the end of the day, I love Spain with all of my heart.

Un abrazo,
Elizabeth 

The Ugly Truth: Independence Abroad.

The temperature was dropping quickly as the sky darkened with the ominous approach of night and right. The rural street was deserted-- except for two girls standing under the shelter of a bus stop. Despite a crumpled schedule's promise of a shuttle to the train station, it did not appear as 5:15, 5:25, and 5:35 flashed on the screen of an out-of-service Iphone. They walked out by the side of the road, but few cars passed by. On the verge of a disaster and missing their train back to Paris....

Okay, so that was a bit dramatic. But when Paige and I were in that situation this past week, it seemed like the end of the world. And so begins the back story. One day, out of our weeklong journey in the City of Light, we decided to visit the house and gardens of Claude Monet (fabulous painter of waterlilies) in Giverny, France. It's a tiny village, about an hour and fifteen minutes from Paris by train. Simple enough, right? The first problem arose before we even left, in the St. Lazare train station. We were right on schedule to catch the 12:20pm train until we exited the metro and discovered that we had no idea where or how (because we don't speak French and I mean NONE) to buy tickets, or which of four floors the trains departed from. In short, we ended up sprinting from the first floor to the third only to miss the train by by about two minutes. We finally had the courage to actually go to the information desk, where we received second class tickets and a valuable schedule. Fifty minutes later, we were on our way to Vernon, with picturesque views of the countryside. At one point, we switched trains and ending up meeting a Brazilian girl who speaks French who was also headed to Monet's gardens. This leads me to  the most complicated part of the process of getting to our destination: the shuttles. Now, I suppose these shuttles from the train station in Vernon to the museum in Giverny exist in real life, but I can't be certain. We assumed that we had missed the last one of the day, so we split a BMW taxi with the Brazilian-who-speaks-French for the ten-minute ride. It was smooth sailing once we found ourselves amongst the auburn leaves in the quaint village and we spent about two hours exploring Monet's wonderland, walking through his house, seeing the famous waterlilies, and soaking all of the nature in. Though primetime is in the spring, it was still beautiful in the fall and not crowded at all--which may have been the cause of our next problem. We took our time leaving the museum and then stopped at cafe for pastries and tea, thinking we had all the time in the world to catch the shuttle back. And we did, because there was no shuttle (refer to dramatic intro above.) I've concluded that there was no shuttle for one of three reasons: a) It was the last day the gardens were open until April and therefore there weren't many people and therefore the shuttle service stopped early, b) we were in the wrong place to catch it, or c) my schedule was wrong. I would like to choose option A, but I will never be entirely sure. Now, we ended up waving down a taxi that already had people inside, but they were nice enough to let us share with them back to the station. The last and probably most stressful event of the day happened on the way back, when we switched trains somewhere in France. One would naturally think that if you switch trains on the way there, you should switch trains on the way back. So, without glancing at our tickets, we hop off the warm, cozy train TO PARIS,and then discover that it really would have taken us to all the way back. By the time we were fully aware of this mistake, the train had already left and we were standing on the dark platform looking incredibly dejected, confused, and hungry. Fortunately, a little French boy, who spoke English, helped us out and even led us to another train back. When we finally saw the glittering lights of Paris, we were simply exhausted. It was quite the day.

I tell you this whole story because I think of it as a defining experience: a first taste of the real world. Yes, I'm in Spain "by myself" but I have advisors, a host family, and friends that support me daily. But that day (and all week) we were two, naive 18 year-old girls trying to figure things out on our own and it didn't always go smoothly. Independent travel is so much harder than I first thought, because you have to plan everything down to the exact detail and prepare for the worst. Two things that we failed to do. We also relied on the hope that people would speak English to us, which did end up happening, and probably was the reason we made it to Giverny and back to Paris that night. But what if that little boy wasn't able to communicate with us? Where would we have ended up? My point is that we were traveling selfishly, with the idea that the world was looking out for us. To get the most of out a trip, we need to be looking after ourselves and looking out at the world around us. That means that next time, I vow to learn a decent amount of the language of my destination before I travel independently, not expect people to adapt for me. I also vow to arrive to the train station a little bit earlier and to leave before dark, maybe that way I can enjoy the ride. 

Our week as a whole was a spectacular mix of fall, croissants, landmarks, history, new friends, and French. We stayed in an upbeat hostel, had Paige's friend from Toulouse come and stay for a few days, did the typical touristy Parisian things, and spent a lot of time drinking tea. For Halloween, our hostel threw a party, and since Paige and I have adjusted to the Spanish nightlife, we were the last ones to go to bed that morning. Paige and I made friends with the hostel staff and waiters, which really made our stay that much more fun. On our final days, we met a group of girls who are teaching in Dijon, France, who invited us to visit sometime, and of course, we returned the invitation. Hostels have their advantages-- you meet young people from all different places on all sorts of journeys, as long as you don't mind sharing a bedroom with eleven of them. I think I'm one step closer to becoming a global citizen. 

In other news, I'm off to Morocco, Africa on Friday with CIEE, where we'll stay with host families, speak with college students about global issues, and really get to experience the exotic culture there. You can visit themoroccanexchange.org for details of my trip, but I'm sure I'll have a blog post about it soon.

Adios,
Elizabeth